
Pressreader: A Hocus II: The return of the two-headed beast
By: Eric S. Caruncho | September 22, 2019
“Quadricula” marks the return of Hocus, the singular two-headed creature who took the local art world by storm in April of 2017 with an eponymous six-month exhibit at the National Museum of Fine Arts (NMFA).

Quadricula/Hocus II: History as art
by: Jenny Ortuoste | September 19, 2019
Stern friars stand against a backdrop of blood-red, hands raised in blessing or accusation. A skeleton hunches over, peering without eyes or brain at a book. Men crowd around a Bible in flames, the pages spilling Hebrew, Roman, and Greek letters that they attempt to catch in vain.
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Everybody Wiki: Saul Hofileña Jr.
Saul Hofileña, Jr. was born in Cavite City on September 9, 1959. He graduated with a degree in law at the Ateneo College of Law in 1985. He passed the bar in 1986 and began practicing law. He taught at the San Beda College of Law in Manila and Alabang at Centro Escolar University in Makati. He was also the Dean of the College of Law of the Asian Development Foundation College. In 2012, he was given the Patnubay Award for history by the City of Manila.

Hocus: reimagining colonial Philippines through the paintings of Guy Custodio in collaboration historian Saul Hofilena Jr as curated by Gemma Cruz-Araneta
By: Adobo Magazine | May 31, 2017
The paintings in the exhibit are the artworks which Saul Hofilena Jr, a lawyer and a historian and Guy Custodio , a conservator of the church’s treasures, made during the period of almost 4 years. In their collaboration, their purpose was to meld in oil, wood and woven cloth out nation’s history.
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SC declares Philhealth ruling as ‘illegal’
September 9, 2019
The Supreme Court declared as illegal in its Resolution of July 30, the suspension of Dr. Mario Reyes, a practicing ophthalmologist and former head of the Ophthalmology Department of the Ospital ng Maynila. According to Atty. Saul Hofileña Jr., lawyer for Dr. Reyes.

Carlos Celdran feature in Instagram
September 9, 2019
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‘The Nation: Thailand | Which Country owns Sulu?
The Bates Treaty, says the writer Saul Hofilena Jr in his book “Under the Stacks”, led to the enactment of laws that caused the distribution of Moro ancestral lands to Christians and Americans. These actions sparked a war whose after-effects continue to be felt until today.

‘Consummatum est’
By: The Manila Times
March 15, should have been the last day of Saul Hofileña Jr. and Guy Custodio’s “HoCus 2: Cuadricula” exhibit at the National Museum (NM) of Fine Arts, but the coronavirus disease 2019 community quarantine has forced the closing of the museum. It would have been the eve of the 499th anniversary of Ferdinand Magellan’s arrival in the Philippines.

Cuba and the Philippines are sister countries
By: The FilAm Magazine
Cuba and the Philippines have shared heritage – both former colonies of Spain for centuries and both independent republics under the influence of the United States for many years after Spain. To visit Cuba feels a lot like going home to the Philippines. Even the climate and the vegetation are similar.

Review: Cartas Philippinensis
By: Jenny Ortuoste | Manila Standard
The product of a collaborative art project and an intense interest in history, ‘Cartas Philippinensis’ (2016) by lawyer and professor Saul Hofileña Jr. is a reimagination and revisiting of our colonial past, the effects of which still reverberate through our present.
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Review: Cartas Philippinensis
By: Jenny Ortuoste | Manila Standard
The product of a collaborative art project and an intense interest in history, ‘Cartas Philippinensis’ (2016) by lawyer and professor Saul Hofileña Jr. is a reimagination and revisiting of our colonial past, the effects of which still reverberate through our present.

Puerto Parrot: Life with Tarot
By: Sylvia Mayuga
A strange sight greeted me in the middle of rice fields in Jaen, Nueva Ecija sometime in the late ‘80s. The Agrarian Reform program had just begun. My clan, heirs of my farmer grandma, was waiting for a dialogue with her tenants. I noticed a group of them waiting around a small table with … was I seeing right? Tarot cards?
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The 33rd Manila International Book Fair
By: Pengtography
So I walked through various booths, making the most out of the free entrance tickets I got from a kind officemate, when a book entitled Under the Stacks by Saul Hofilena Jr. caught my attention. Sadly, the price was too steep and their customers can only pay in cash. If they had a cheaper version of that book, say a paper back or e-book, I could have bought one!

Vestments of the Golden Leaf
By: Gemma Cruz Araneta | Pinoy Kollektor Blog
It was not the delightful tale of how Nicotiana Tabacum came to our shores in the pocket of a friar aboard a galleon that grabbed my attention but the stunning inventory of intricately rendered wrappers (read vestments) that fill this edifying volume. It may look like one, but VESTMENTS OF THE GOLDEN LEAF by Atty. Saul Hofileña,Jr, is not just a decorative book to adorn your coffee table.

Philippines 2020: How Much We Spent in our DIY Spa Vacation
By: Caroline | Costa Rica FIRE
One fascinating exhibit we saw was Quadricula (HOCUS II), a series of 26 paintings co-created by Saul Hofilena Jr., a lawyer-historian (who doesn’t paint!) and Guy Custodio, the painter of the duo. HOCUS is a combination of their last names.

Hocus Focus at the National Museum
By: Caroline | Costa Rica FIRE
“HOCUS: The Hofileña & Custodio Paintings” is a collaboration between two unlikely people: historian Saul Holifena Jr. and painter Guy Custodio. Curated by Ms. Gemma Cruz Araneta, the exhibit focuses on art that tells the story of the Philippines and the Church during the Spanish times.
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Historian and artist create a heritage book
By: Amadis Ma. Guerero | Lifestyle Inquirer
Saul Hofilena Jr. is a lawyer who specializes on international law and is, as well, a historian who has written the acclaimed “Under the Stocks,” a book with an unconventional approach to Philippine history.
Guy Custodio is a visual artist who lived for many years in Spain, restored religious Spanish art and later in Bohol restored heritage churches.

The Filipinized Tarot
By: The Philippine Star
Now comes scholar, historian, lawyer and writer Saul Hofileña, Jr. with his version of the Filipino Tarot: an actual deck of the Major Arcana as “the only playable Tarot cards with Philippine themes,” together with a book that explicates and extrapolates so learnedly on the choice of images created in collaboration with Los Angeles-based artist Guy Custodio — who has had sold-out exhibits in Manila and assisted in the restoration of heritage churches in Bohol.

HOCUS: Reimagining Colonial Philippines
The paintings in the exhibit are the artworks which Saul Hofilena Jr, a lawyer and a historian and Guy Custodio , a conservator of the church’s treasures, made during the period of almost 4 years. In their collaboration, their purpose was to meld in oil, wood and woven cloth out nation’s history. When they are asked to identify who the real artist in these works , they refer to a trinity, Hofilena, Custodio, and that little icon they call the anghel de cuyacuy whose given name is Hocus.

HOCUS: A Leap of Consciousness
By: Sylvia Mayuga
HOCUS, a new exhibit in the National Museum of Fine Arts, is a clear leap of consciousness –the closest contemporary Filipino art has come to the trauma of colonization so far. These 26 oil paintings are no less than a silent call for ruling ideas dangerous to the living to be laid to rest in the fullness of time.
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Heroes and Duplicities
By: Gemma Nemenzo
Another history lesson, this time from lawyer Saul Hofileña Jr., whose book Under the Stacks, unearths some previously ignored or unknown facts of Philippine colonial history. Veteran journalist Sylvia L. Mayuga introduces us to “A Man and His Book: Unmasking Duplicities of the Past,” an eye-opener and a must-read (both the book and this review) to understand the deep roots of the Muslim conflict in Mindanao.

National Museum of the Philippines
By: Iza Iglesias | July 1, 2017
The #NationalMuseumPH concluded the first of a series of Quadricula Lecture at the National Museum of Fine Arts.
On a Saturday afternoon, more than 40 attendees, comprising of students, heritage workers, historians, members of the press and civil servants from cultural and scientific institutions attended the first lecture series of the Quadricula exhibition. Entitled “Beyond the Brushstrokes”, the speaker, Atty. Saul Hofileña, Jr, gave a comprehensive discussion on the history and symbols of the paintings featured in the recently Quadricula exhibition.
















